Miguel follows him again on Wednesday.
And Thursday.
And Friday.
Each afternoon, the pattern repeats with slight variations. Emilio meets the girl at the plaza. Sometimes he gives her food. Sometimes he slips her a little cash. Once he hands over a folded bag that looks suspiciously like toiletries from one of the guest bathrooms at home. Another day, they sit with schoolbooks spread open between them, Emilio pointing at a page while the girl copies something carefully into a cheap spiral notebook.
On the fifth day, Miguel sees something that chills him.
When the girl stands to leave, she limps.
It is slight, easy to miss if you are not looking for it. Her left foot drags for half a beat before she corrects herself and continues across the square. Miguel feels a hot stab of anger, though he cannot yet say at whom. At fate, maybe. At poverty. At whoever has made this child dependent on secret handouts from a boy who still sleeps with the hall light on when thunderstorms hit too close to the windows.
That night, he opens Emilio’s bedroom door after midnight.
The boy is asleep, one arm flung over the blanket, his face stripped of caution in the way only sleeping children can be. Miguel moves quietly to the desk. He is not proud of what he is doing, but fatherhood has a way of redrawing moral lines when fear is involved. Inside the top drawer, beneath math worksheets and a half-finished comic sketch, he finds an envelope.
It contains one hundred and forty dollars.
